• Things I’ve Learned in School #3

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    I approach this post with some apprehension and sheepishness. My last blog post was, yeah, pretty negative. Hey, I was frustrated. And I heard about it (thanks Amie, for an honest and informative email exchange). I’m not retreating from anything I said because I still believe every word but, yeah, it could have been phrased a little less… well… pissy.

    So, this time we’re going to talk about something much more positive. It isn’t new, really, but I’m encountering it in a framework that’s a lot different from my previous work environment. I’m speaking to everyone, but I’m particularly embracing my fellow perfectionists, because we’re a persistent lot who can easily drive ourselves (and those around us) crazy by never letting something go because it can always, always be made better. And here it is:

    #3: It’s perfectly healthy to say, “It’s good,” let it go and move on.

    Example: A challenging and frequently baffling research paper for my Humanities class. I started work on it more than a month ago and have doggedly worked on it every day since then. As the deadline approached it became obvious that it wasn’t going to be the perfect paper I wanted it to be. I didn’t have the depth of knowledge I wish I had, and I didn’t have an endless well of time.

    Though it was frustrating, this was one of those situations when “good enough” was going to have to be good enough. I realized that, even though I still had a full day before the deadline, spending even half that time pounding on the keyboard wasn’t going to make a good paper perfect. And would the incremental improvement really be worth the worry, caffeine jitters and additional grey hairs? I gave the paper a final look-over, exported the PDF, uploaded it and… let it go.

    Nothing is perfect. Nothing is ever perfect. Working and working on something, trying to inch closer to that infinitely far-away benchmark of perfection, may seem like a noble goal but it is also futile. You will never get there. Sorry. You won’t. No one does. Perfect is unattainable. Life will be less crazy-making when you not only accept that fact, but embrace it.

    Our Type A society has somehow brainwashed us into believing that “good” = “bad”, and that only “great” or “perfect” are acceptable. But that’s messed up. Perfect isn’t acceptable because it just isn’t possible. Bad is abundantly possible. Good is something to be celebrated, not settled for.

    There is nothing wrong with good. I was tempted to add the word “just” before that, to say “just good,” but that’s unfair. Good is good, and if you produce something that is “just” good you should celebrate both it and your accomplishment. Think about all the dreck that pops up on television, in theatres, on Netflix, then consider how many billions of dollars Hollywood spent to produce that dreck. Think about how easy it is to ruin a simple batch of chocolate chip cookies, by flubbing the ingredients or baking a few minutes too long.

    Lots of money, lots of time and even the presence of chocolate does not automatically result in yummy goodness. It’s important that we celebrate producing something that is, yes, “just” good… because it’s more rare than we allow ourselves to realize.

    Work on something — a paper, a painting, a home improvement project, a poem — as long as your energy, time and resources allow. Be open and aware of the point when you’re reached the “good” threshold, then step back. Ask yourself, Am I continuing to work on this because I honestly have the time and talent to improve it, or because I want it to be perfect? If it’s the former and time allows, then carry on and have fun. But if it’s the latter, consider whether or not what you have done is good “enough” to let go and move on to something else.

    If the answer to that is “yes,” then congratulate yourself, reward yourself even, and then… move on. Time spent trying to perfect one thing is wasted, because it will never be perfect. Time spent moving on to something else that could also be good means there is that much more goodness in the world. Which sounds like a more rewarding path to follow?

  • Things I’ve Learned in School #2

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    And #2 is: Your chances of learning from an online course are minimal.

    I have some unhappy things to say about [my current school]‘s determination to push Discussion Boards for their online classes. I’m currently taking my fifth and sixth online classes and for all of them we are, or have been, required to participate in weekly “discussions.” The teacher posts a topic or question, and students are not only required to respond to the teacher but are required to respond to a specific number of other student posts.

    This is stupid.

    Reason This is Stupid #1: I will not learn anything from my fellow students. No, I will not. There’s a reason we’re the students… we don’t know this stuff. It’s why we’re taking the class, you know? Also, the majority of them are about one-third my age. Sad, but true. Which brings us to…

    Reason This is Stupid #2: Following along with #1 above, the level of illiteracy this exercise exposes is… honestly, it’s horrifying. These are supposedly college-level courses (this is college, right? Right? Okay, just checking). Why, then, do the posts read like they were dictated by texting thirteen year-olds?

    Reason This is Stupid #3: It lets the professor off the hook. The professor posts something vague, like, “Discuss the relevant points of this week’s chapter,” and then goes off to watch episodes of  Hoarders on their DVR. This is not acceptable. I paid upwards of $300 for this class — the teacher had better teach it. I’m here to learn, not to read misspelled ramblings from teenagers. Maybe my expectations of learning are — go ahead, say it! — old-fashioned, but I expect teachers to teach, and students to learn. Those are the roles.

    Reason This is Stupid #4: Too many times already, the teacher doesn’t know how to use the technology, even going so far as to admit, “I couldn’t get it to work.” In just two months I’ve had several instances of exams not being available as scheduled, due dates not posted, and assignments being handed out in incompatible formats. If you can’t get “it” to work, then you shouldn’t be in charge of “it.”

    Reason This is Stupid #5. It’s unfair. A few weeks ago, an instructor required students to rate each others’ posts. I thought this was to let him/her see if we were actually paying attention to what we were reading. Wrong. It turned out that our grade for that week was determined by the other students’ ratings. In other words, people who can’t spell, can’t construct proper sentences and don’t know the material, actually determined my grade for the week — and they gave me, full disclosure, a “B.” I paid [my current school] $300+ so the instructor could let students do the grading? No. Just, no.

    [Pause to take a deep breath.]

    This worries me on a larger scale because the second part of my College Quest will be entirely online, though through a different school. Maybe I am, yes, old-fashioned. I thought the point of going to an institution of higher learning was to… learn. Not to regurgitate nonsense on a discussion board for other students to grade. I don’t know whether the fault ultimately lies with the individual instructors or with the institution creating the rules, but… there’s a lot of fault to go around.

  • Oscar 2011 Predictions, the remix

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    There’s still five more days until they hand these suckers out, so I’m taking advantage of that.

    After looking over my original list, I’m modifying three categories, as indicated by the purple below.

    Picture: The Artist
    Director: Michael Hazanavicius, The Artist
    Actor: Jean Dujardin, The Artist
    Actress: Viola Davis, The Help
    Supporting Actor: Christopher Plummer, Beginners
    Supporting Actress: Octavia Spencer, The Help
    Original Screenplay: Woody Allen, Midnight in Paris
    Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants
    Foreign Language Film: A Separation
    Animated Feature: Rango
    Cinematography: The Tree of Life
    Makeup: The Iron Lady
    Art Direction: Hugo
    Animated Short Film: La Luna
    Documentary Feature: Paradise Lost 3: Purgatory
    Documentary Short: The Tsunami and the Cherry Blossom
    Live Action Short Film: The Shore
    Visual Effects: Rise of the Planet of the Apes
    Costume Design: The Artist
    Film Editing: The Artist
    Sound Mixing: War Horse
    Sound Editing: War Horse
    Original Score: The Artist
    Original Song: “Man or Muppet,” The Muppets

    Originally I’d given both sound awards to Hugo, and original score to War Horse. Considering that The Artist is apparently nothing but music, it was a little stupid of me to give that award to any other film.

    Meryl Streep winning the BAFTA for Best Actress may mean she has more support than I thought, but… on this one, I’m going both with my gut and with my heart. Viola for the win.

     

  • Oscar 2011 Predictions

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    I spent my Sunday morning coffee finalizing my Oscar predictions for this year. It didn’t take more than one cup, because let’s face it… most of these are in the bag and have been for weeks. The top six awards are pretty much locks. Barring a mid-voting meltdown like the one that cost Russell Crowe his A Beautiful Mind Oscar, there’s not much these people can do to lose. Can we picture Viola Davis throwing a telephone at someone? No, we cannot.

    Therefore, with no more delay, here they are:

    Picture: The Artist
    Director: Michael Hazanavicius, The Artist
    Actor: Jean Dujardin, The Artist
    Actress: Viola Davis, The Help
    Supporting Actor: Christopher Plummer, Beginners
    Supporting Actress: Octavia Spencer, The Help
    Original Screenplay: Woody Allen, Midnight in Paris
    Adapted Screenplay: Alexander Payne, Nat Faxon and Jim Rash, The Descendants
    Foreign Language Film: A Separation
    Animated Feature: Rango
    Cinematography: The Tree of Life
    Makeup: The Iron Lady
    Art Direction: Hugo
    Animated Short Film: La Luna
    Documentary Feature: Paradise Lost 3: Purgatory
    Documentary Short: The Tsunami and the Cherry Blossom
    Live Action Short Film: The Shore
    Visual Effects: Rise of the Planet of the Apes
    Costume Design: The Artist
    Film Editing: The Artist
    Sound Mixing: Hugo
    Sound Editing: Hugo
    Original Score: War Horse
    Original Song: “Man or Muppet,” The Muppets

    If you’re so inclined, leave your own predictions in the comments and we’ll compare notes after the ceremony on February 26.

  • Who cares, indeed

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    Hey, remember back in January when I wrote Stop Watching That Crap, about potential TV reboots in the works and what shitty ideas they all were?

    Over at The Huffington Post, Evan Shapiro, president of IFC, just wrote along the same lines in his article, “Who Shot JR? Who Cares?” He, however, doesn’t just spout his opinions like I did. He actually has numbers — math! — to back himself up. And the numbers are… pretty shitty.

    He writes:

    Reheated leftovers send a message that our industry is out of ideas. Worst of all, it flies in the face of substantial, overwhelming and irrefutable data. By a factor of 6 to 1, remakes do not work.

    Preach it, brother.

  • Things I’ve Learned in School

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    It’s been an entire month since I’ve taken a breather to write a new post. Time certainly flies when you are having fun studying and doing homework. I’ve either been reminded of some things, learned some things, or become more aware of some things since January 9th, when school started. I’m going to see if they make an interesting series of posts. Lemme know if they’re just boring instead.

    So, number one is… when I’m in school there are no more weekends. This is probably not a universal truth (and certainly not a literal truth), but once I left the force of the working my dread of Mondays pretty much vanished, but my ability to anticipate and enjoy the weekends pretty much vanished as well.

    I’m taking four classes this semester; two entirely online, and two in the classroom. Those lecture classes are both on Tuesdays and Thursdays. That leaves every other day of the week up to me to schedule appropriately. Since many of my online class assignments aren’t actually due until Saturday or Sunday night (and that will be topic of an upcoming post), I’ve found I have to spread the wealth, as it were, across the remaining days.

    That spreading has translated to a blurring. Once I finish my Thursday classes I don’t have to leave the apartment, if I don’t want to, until the following Tuesday. That’s four days in a row to concentrate on assignments, get caught up, work ahead … and what used to be my weekend is smack in the middle. To demonstrate just how confused I can make myself sometimes, Tuesday is now my Monday, Thursday is now my Friday, Friday is now my Saturday, and Wednesday… well, it’s still pretty much Wednesday.

    It will be interesting to see if this phenomenon disappears for Summer semester, when I’ll be taking different classes (and only two instead of four). I have to say… I miss Saturdays most. I can’t wait to get reacquainted.

    [ETA: Apologies to anyone who read this upon first posting, when all the apostrophes were missing. Apparently WordPress has a ways to go with their iPad app, and I shan't be using that to post with anymore.]

  • Your trash is my trash

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    This is one of those “if I had a nickel for every time I’ve…” posts.

    If I had a nickel for every time I’ve come home and one of my neighbors — most often, the one featured in the photograph — has left their trash sitting on their front step, I could probably just bank it and retire and give up this school nonsense.

    If your trash is so stinky that you can’t bear to have it inside for one more second, what makes you think your neighbors want that bag sitting on the steps for everyone else to smell?

    Or are you really so incredibly lazy that you can only take your trash to the dumpster in stages? Because, yes, I know… it’s s-u-u-u-u-uch a lo-o-o-o-o-o-ong way to the dumpster from your doorstep.

    No, they don’t limit this white trash (ha!) behavior to the wintertime, when at least the outdoors acts like a kind of refrigerator. No, they do it in the summer as well, and since our stoops aren’t covered, that’s a long time for smelly refuse to simmer and ripen in the sun.

    If anyone has a logical, sociological explanation for leaving your trash on your doorstep for hours (or, yes, days) at a time instead of just throwing it the fuck out… please leave it in the comments. I’d really like to know.

  • Stop watching that crap

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    So yesterday I noted how the majority of 2011′s movie releases were unoriginal (i.e., “crap”), yet still somehow profitable. Today I came across an article at EW.com listing the TV series in development for 2012 and… well…

    NBC entertainment chairman Robert Greenblatt said, “We had a really bad Fall.” Sorry to say, but looking at his network’s potential series, things don’t look like they’ll improve much. On any of the networks. Doesn’t anyone have an original idea anymore?

    The Rifleman (CBS) — A retread of a 1950s Western series. What was the last successful Western series? Probably Gunsmoke, more than 40 years ago. Most of the people who watched the first go-around of The Rifleman are in their 70s or 80s today. Doesn’t seem like a very profitable demographic for CBS to pursue.

    Source Code (CBS) — An adaptation of last year’s very good sci-fi thriller that will have zero appeal to those seniors. The twisty plot was fun the first time around, but I can’t see it being anything other than annoying after the 23rd episode/reiteration.

    Anger Management (FX) — An adaptation of an eight year-old Stiller/DeNiro comedy, starring lovable industry favorite Charlie Sheen. This might last one season, since it’s on FX, but it will be “is that still on?” by the second.

    Under the Dome (Showtime) — A serial adaptation of Stephen King’s 2009 novel about a town — yes — under a dome. Trapped characters, shadow conspiracy, on-going mythology… Lost-redux, anyone?

    Hannibal (NBC) — One hears lots of complaints about television these days; that there aren’t enough cannibal serial killers headlining a major network isn’t one of them. Can a sanitized version of The Silence of the Lambs hero (?) lure the Dexter contingent to NBC? Let’s say… No.

    Frankenstein (NBC) — Clearly the big lug has never been given a proper chance on television, having only been adapted for the small screen a freakin’ seven times — in 1981, 1984, 1987, 1992, 2004 — twice! — and 2007. Oh yes, we definitely need another one. (And that’s not counting another seven times it’s appeared on the movie screen.)

    Bewitched (CBS) — Apparently the (crappy) 2004 movie version didn’t properly dishonor the Elizabeth Montgomery classic, so the Geriatric Channel gives it another go. EW described this as Harry Potter meets Desperate Housewives, and could anything sound more dreadful?

    Romancing the Stone (NBC) — Oh. Yes, this sounds more dreadful. A serial version of an 27 year-old classic romance. How many stones are there to find, anyway?

    Valley of the Dolls (NBC) — What made the 1966 book and movie scandalous can now be seen regularly on ABC Family, but that won’t derail another TV attempt to capture the swinging 60s because… well… Pan Am and The Playboy Club were so successful last year, weren’t they?

    The Munsters (NBC) — A retread of a just-plain-stupid 1960s “horror” “comedy” that forever sullied the reputations of its old-school movie-star cast. In the wake of true TV horror like True Blood and American Horror Story, how can this possibly work? What’s next, The Addams Family? Oh damn, I totally didn’t say that out loud.

    The Flintstones (Fox) — Leave it to the tastemasters at Fox to shit on our childhood TV memories of ”Wilmaaaaaaaa!” and “Yabba-dabba-doo!” No, the original Flintstones wasn’t exactly Shakespeare, but who can’t sing the theme song from memory? Will Seth McFarlane turn Bam Bam into a sociopath like Stewie? Will Dino… shudder… talk?

    Consider the millions and millions and millions of dollars that will be wasted on these projects — all of which will flop, mark my words — and it’s easy to see why fans of cancelled, original shows like Firefly and Arrested Development remain bitter to this day.

  • Stop paying to see crap

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    A sad fact to end our look at 2011′s movies.

    How many of the Top 50 Movies of 2011 were completely original ideas, and how many were retreads, remakes or sequels?

    Not Original: Harry Potter and the Deathly Hallows: Part 2, Transformers: Dark of the Moon, Pirates of the Caribbean: On Stranger Tides, Kung Fu Panda 2, The Twilight Saga: Breaking Dawn – Part 1, Fast Five, The Hangover Part II, The Smurfs, Cars 2, Rise of the Planet of the Apes, Thor, Captain America: The First Avenger, X-Men: First Class, Puss in Boots, The Green Hornet, Green Lantern, Mr. Popper’s Penguins, The Help, Johnny English Reborn, Final Destination 5, Mission: Impossible – Ghost Protocol, Sherlock Holmes: A Game of Shadows, Cowboys & Aliens, The Three Musketeers, Paranormal Activity 3, Alvin and the Chipmunks: Chip-Wrecked, The Muppets, Limitless, Real Steel, Moneyball (31)

    Original: Rio, Bridesmaids, Super 8, Rango, Bad Teacher, Just Go With It*, Battle Los Angeles, Young Adult, Horrible Bosses, Hop, Gnomeo & Juliet, Crazy, Stupid, Love, Immortals, Zookeeper*, Tower Heist, Contagion, Justin Bieber: Never Say Never*, Dolphin Tale, Jack and Jill* (19)

    America, do you wonder why Hollywood keeps regurgitating the same unoriginal, unimaginative ideas?

    It’s because you keep paying to see them!

    Stop it. Or stop complaining.

    On the other hand, the people complaining are probably those that mostly went to see the second group, and the people who don’t give a shit are those who saw the first group. In which case we’re screwed.

    *I can’t tell you how pathetic it is that Adam Sandler, Kevin James and Justin Bieber are responsible for twenty percent of the “original” films.

  • My 2011 Most Awards

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    I don’t claim to have seen every movie that came out last year, or even most of the movies (too expensive and audiences are annoying). I can’t designate anything “the best,” since I haven’t necessarily seen “the rest.” Instead, these are just the Most [Insert Accolade Here] movies that I saw last year. Hopefully you’ll get some enjoyment out of them or, at the least, some good recommendations.

    Most Impressive Torso: Appropriately, this goes to a god: Thor, embodied (heh heh) by Chris Hemsworth. Runner-Up: Ryan Gosling in Crazy, Stupid, Love. Hey girl, I’d love to Photoshop those abs. Up close.

    Most Enjoyably Unintentional Remake of E.T.: Super 8, which surprisingly replicated much of E.T.’s charm and retro appeal. The alien, however, was even uglier and, seriously, E.T. was fugly. I’d have screamed too, Drew.

    Most Bittersweet Romance: Weekend. Sexy, funny and sad all at the same time.

    Most Enjoyable Overlooked Film: Source Code. I can’t say much without spoiling some tidy twists. Let’s just say that the movie you think you’re about to see is not the movie you’ll end up seeing. And that’s a good thing.

    Most Special Effects: Way more impressive than any of the movie’s alien nonsense, this goes to Daniel Craig’s bubblicious, leather-wrapped ass in Cowboys and Aliens. Just turn around and walk away from the camera for an hour and a half. Thank you.

    Most Enjoyable Onscreen Chemistry: Matt Damon and Emily Blunt in The Adjustment Bureau, a modest puzzler worth seeing for their wicked flirting. Runners-Up: Tom Cullen and Chris New in Weekend.

    Most Enjoyably British Alien Movie: Attack the Block, which starts off a little dodgey and unlikeable but earns its street cred by the end. Killer aliens. Literally.

    Most Painful Remake: Footloose. Stop fucking with my childhood, Hollywood.

    Most Surprisingly Not-Painful Remake: Fright Night. And speaking of which…

    Most Seductive Vampire: No, not that anemic, scrawny Edward. This goes to sexy beast Colin Farrell in the Fright Night remake, mostly for how he wears that wife-beater tee.

    Most High Profile Movie That I Have Totally Forgotten Already: Scream 4. Seriously, I can hardly remember a thing about it. Something about a webcam? I dunno.

    Most Effective Reminder that Helen Mirren is Still a Badass: The Debt. Jessica Chastain may play the same character as a young woman, but wait for the last 15 minutes and tell me who kicks more ass. At age 66.

    Most Confusing Movie Getting Serious Award Attention: The Tree of Life. Sibling rivalry. Non-linear structure. Meaningful gazes at nothing in particular. The Big Bang. Brad Pitt being a jerk. Dinosaurs. Yeah. Whatever. Pretty to look at, though.

    Most Egregious Misuse of Alan Tudyk: Tucker & Dale vs. Evil. Not that it’s a bad film, but he’s so much better than this. Bring back Wash!

    Most Egregious Underuse of a Sidekick: Liza Lapira in Crazy, Stupid, Love. Her brief screentime as Emma Stone’s bestie was too brief. Give this woman her own movie.

    Most Appropriate Double Feature for Second Amendment Fanatics: Hobo With a Shotgun and Machine Gun Preacher.

    Most Hormone-Inducing Triple Feature: The Ides of March, Drive, and Crazy, Stupid, Love. Because… Ryan Gosling. Duh. However…

    Most Horrifying Onscreen Death: Ryan Gosling’s elevator kill in Drive will scar you for life. Hey girl, my shoes are a mess.

    Most Enjoyable Onscreen Death: Gwyneth Paltrow in Contagion. It hardly qualifies as a spoiler since she’s dead within the first five minutes.

    Most Horrifying Non-Horror Movie: Contagion. It’s cold, clinical, scientifically sound, and scary as shit. You’ll be stocking up on hand sanitizer.

    Most Ingenious Movie Poster: The Ides of March. As a (former) designer, I gotta say this thing is brilliant. Arresting image, clever use of type, and conveys the plot. Outstanding.

    Most Confusing Title: No One Killed Jessica. Then what’s the movie about?

    Most Misleading Title: 30 Minutes or Less, which had a running time of 83 minutes.

    Most Obvious Typo: Because I Don’t Know How She Does It clearly should have been I Don’t Know Why She Does It.

     

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